John Berkey-SF Art Legend-RIP

Hi, I'm Bob Eggleton and this is my painting and "life in general blog" but mostly paintings. Usually they're for sale. Anyway, if you like something contact me at zillabob@cox.net and ENJOY!!

I am a Hugo award-winning fantasy/SF artist who works on both publishing projects and film concept work(such as Jimmy Neutron and most recently, The Ant Bully) but I have a passion for landscape work, small paintings and exploring the properties of paint. This blog will mostly showcase my "painting-for-the-day" as kind of a personal voyage. I'll also be inserting sketches,photos and ideas of projects I am working on, that I can, when I can, so look for those every so often(usually as paint is drying!)


 
						 This shocked me personally, and has devastated a number of us. The Art Corner in Salem Mass was the victim of a fire of unknown orgin last Thursday night. It's owned by Wendy Snow-Lang who I have known(and her other half, Chuck) for at least 25 years. Wendy just took over the business a couple of years ago and put a lot of hard work into it to make it into a great framing and art gallery. Wendy and Chuck are like the nicest people anyone could know, they're family in my book. In fact, I have had tons of framing done there and, painted in the front part of the store several times and been in her monthly shows. Our hearts go out to them at this time as,like family, this is a shared pain. Don't worry, it'll be back better than even within six months. More info is available at: http://www.theartcorner.blogspot.com/ Has links to stories in the local paper. Photo is courtesy The Salem News.
 This shocked me personally, and has devastated a number of us. The Art Corner in Salem Mass was the victim of a fire of unknown orgin last Thursday night. It's owned by Wendy Snow-Lang who I have known(and her other half, Chuck) for at least 25 years. Wendy just took over the business a couple of years ago and put a lot of hard work into it to make it into a great framing and art gallery. Wendy and Chuck are like the nicest people anyone could know, they're family in my book. In fact, I have had tons of framing done there and, painted in the front part of the store several times and been in her monthly shows. Our hearts go out to them at this time as,like family, this is a shared pain. Don't worry, it'll be back better than even within six months. More info is available at: http://www.theartcorner.blogspot.com/ Has links to stories in the local paper. Photo is courtesy The Salem News.
 SOmetimes it takes time to see the covers I paint made fully into covers as a package with type and all. Here are two which are due out soon. The top -SHADOW OF THE SCOPRION-I did last year, for Night Shade Books,and I love the type treatment and way it was handled. It worked out just how I planned it. The bottom is of course, the first of my Heinlein series I'm doing for Baen. I'm really proud of both and how they all look in the end. The type on the Heinlein is as it should be, kind of a "big book" look which always helps sales. You see, in the end, my art is irrelevant unless it works with type to make a truly "in your face" cover. That's why it's commercial and, well, don't kid yourself it isn't("Things They Don't Teach You in Art School") whenever you do a painting or an image for reproduction and to sell books. Both books are available on Amazon.com for ordering!!!
 SOmetimes it takes time to see the covers I paint made fully into covers as a package with type and all. Here are two which are due out soon. The top -SHADOW OF THE SCOPRION-I did last year, for Night Shade Books,and I love the type treatment and way it was handled. It worked out just how I planned it. The bottom is of course, the first of my Heinlein series I'm doing for Baen. I'm really proud of both and how they all look in the end. The type on the Heinlein is as it should be, kind of a "big book" look which always helps sales. You see, in the end, my art is irrelevant unless it works with type to make a truly "in your face" cover. That's why it's commercial and, well, don't kid yourself it isn't("Things They Don't Teach You in Art School") whenever you do a painting or an image for reproduction and to sell books. Both books are available on Amazon.com for ordering!!!
 This is the start of a book cover I'm working on. Basically it had to show a forboding castle tower and some "dragon clouds" and this fellow playing a Celtic harp. This presented alot of problems in creating a balance and at the same time, resisting a "stacked" look to the composition. I also wasn't sure how much I could play up the dragons...so I went with subtle(more in a minute).
 This is the start of a book cover I'm working on. Basically it had to show a forboding castle tower and some "dragon clouds" and this fellow playing a Celtic harp. This presented alot of problems in creating a balance and at the same time, resisting a "stacked" look to the composition. I also wasn't sure how much I could play up the dragons...so I went with subtle(more in a minute).



 This is something fun out of my sketchbook. I tend to work really fast on ideas and get the general composition nailed and then wait for a chance to paint the image. This was partly inspired by the amazing Saturn/Cassini images of being close to the ring shadows. I figured what would a ship close to some gas world's big rings see-tumbling chunks of rock and ice. Again, I'm obsessed with scale here. The small ship and the vast planet. One of the themes in my work is one of the big and the small. It's why I can say I like planets and cosmic vastness and the small spaceships, and in another way of looking at it, giant monsters and small humans.
 This is something fun out of my sketchbook. I tend to work really fast on ideas and get the general composition nailed and then wait for a chance to paint the image. This was partly inspired by the amazing Saturn/Cassini images of being close to the ring shadows. I figured what would a ship close to some gas world's big rings see-tumbling chunks of rock and ice. Again, I'm obsessed with scale here. The small ship and the vast planet. One of the themes in my work is one of the big and the small. It's why I can say I like planets and cosmic vastness and the small spaceships, and in another way of looking at it, giant monsters and small humans. 